The GigRig PRO-14

15 10 2011

By Fletch Whipp

Daniel Steinhardt is a genius… It’s official. While his name may not be as well established as some of his innovative boutique builder counterparts, however that is merely a matter of time.

Daniel founded thegigrig.com to meet the working/pro musicians needs with a range of products the other companies have not considered, or not had the foresight to develop first.

Their flagship product is the Pro 14, a large pedalboard switcher that enable a musician to route up to 11 pedals into it, and simultaneously call up any number of desired pedals with just one tap of the foot. You have a variety of output options, to run effects pre gain stage, and into effects loops, set overall levels on each setting to avoid volume spikes, and so much more. The unit is dead quiet, easy to edit, allows huge flexibility, tidies up a messy rig and keeps foot tapping pedal switching to a minimum!

The GigRig PRO-14 pedal switcher

The Pro-14 is very well made, with a solid gig worthy-make that tour worthy construction. Preset switching is quiet devoid of the annoying pops and clicks other pedal loopers offer. Each preset offers its own level switch to correctly match your various loops where more or less effects will result in volume fluctuations. The LED lighting allows you instant understanding of what is happening signal wise at any given moment. What perhaps stands out the most is that the entire design strikes you as being carried out by someone who inherently knows what a guitarist wants-which is rare. Yes, there are many boutique pedal builders out there, yet some of their design philosophies leave you scratching your head, like why did they make that product with the footswitches so close together, or why did they build that looper without addressing the annoying pops coming through etc.

All of the pedal board looper criteria seems to have been addressed in this stellar, gold standard in pedal switching. If there was one, slight drawback to the entire system, it would be that it demands precious pedal board real estate space. Speaking with Daniel, every inch of space has been used in the Pro-14, so trimming any excess fat will be nigh impossible-at this time of writing at least.

Competitors products are almost toys in comparison, to the Pro 14 and MIDI 8 products, but it doesn’t end there. Daniel has a wealth of other products like the distributor, virtual batteries, loopy 2 etc. His generator can handle over 50 effects running at once, all with power to spare, and no larger than the competitions offerings.

Currently I also use the Gigrig humdinger (buffer with an isolated output) that allows me to connect my stereo guitar rig to two amplifiers without the typical ground loop and phase issues that occur. I also use the  multiple GigRig distributors which allow me to connect my pedals to get power instead of using daisy chains or multiple adaptors. I also have a few wetboxes and pedals for good measure.

Daniel really is an innovator, and a very friendly builder, who offers not just world-class products, but also world-class customer service, as anyone that has dealt with him would attest to. I wholeheartedly recommend his products!



Fletch Whipp Interview

8 10 2011

By Devin Harrison

RockStarzUSA owner & senior teacher Fletch Whipp was interviewed recently through Pikes Peak Community College by Devin Harrison. Here is a transcript of that interview so our clients can gain further insight into the mind behind RockStarzUSA Studios,

Fletch Whipp @ Studio Aqua - RockStarzUSA

Devin: Could you briefly describe yourself?

Fletch: Defining oneself can be a difficult task. Life to date has been defined by a true spirit of adventure. I possess a unique world view having lived in both hemispheres. In England for 8 years, Australia for 21 years and now the U.S for the last 8. I’m also an avid traveler and have spent time trekking around Europe, Asia & the South Pacific Nations.

Devin: When did you start playing guitar?

Fletch: I started playing music at 15, and very quickly realized this to be more than a passing interest or hobby, that I was answering a calling. I did not own a tape deck (pre CD player days) until I was 15. My musical exposure was nil other than what I saw on the early days of MTV. Within 6 months I was practicing 1-2 hours a day, and within a year I was doing 3-4 hours. In my senior year in High School a band I was in won a very big competition, and this was the solidifying moment when I decided to pursue music professionally, and successfully auditioned for the Australian Institute of Music in Sydney Australia.

Devin: How have your goals changed since you started playing?

Fletch: Like most teens the initial goals were being in a band and touring. I’m thankful that I did achieve moderate success being in a popular band, releasing songs, music videos touring, headlining festivals, & doing plane gigs (where you have to fly to the next gig) touring both nationally and playing internationally. Nowadays I would do a sober self assessment and consider myself a renaissance man by definition – a person who is skilled in multiple fields or multiple disciplines, and who has a broad base of knowledge. Today my goal is to be pure to my musical craft, and inspire others with both the music I write and in the way I teach.

Devin: To what do you attribute your success in the music industry? God? Education? Work Ethic?

Fletch: I grew up with zero Christian influence in my household, and I made poor choices that led me down a path of substance abuse in my teens that only grew stronger during college. I was a talented musician, and being a blend of both both sanguine & melancholic temperaments, substances accentuated my personality. I was rapidly heading downhill when God came looking for me, and allowed me to discover my real passion for music, and pull away the layers of junk that had attached itself to my craft that were diminishing my focus in this area. 

Devin: As a leader in the Church and at RockStarzUSA, what are some of the challenges you face?

Fletch: It’s funny isn’t it? To be in leadership roles in both sacred & secular? I’ve jokingly said to others I am the most reluctant worship leader you’ll ever encounter. It is a call I’ve responded to, rather than developed, or sought out. I think being a follower of Jesus Christ, and making Him real to a world that doesn’t care about Him, without being one of the many proud, religious institutional, intellectual types is my challenge. As for RockStarzUSA, my challenge is to navigate a successful business model in an ever present changing world, and being led by the Spirit of God as He has propelled me down this path.

Devin: Do you ever feel burnt out? How have you overcome these feelings?

Fletch: Do what you love and you’ll never work a day in your life. I’m incredibly fortunate in that area, so I can’t quantify or qualify burn out with the same rubric as others would. Having said that, perhaps more than others, I do reach periods of exhaustion differently than the average worker for two reasons. 1. Outside the U.S.A the remaining western working world rewards workers generously with time off and public holidays. In America it is more of a gift than a birthright. 2. Being a business owner means you don’t wrap up your day when, or as others do. Long after I close the studio down I have to attend to marketing/promotion/SEO/interviewing staff/managing B2B relations/talking with prospective clients/paperwork…and most importantly still practicing !:)

Devin: As a guitarist what kind of temptations have you encountered? 

Fletch: Perhaps the most challenging aspect is to continue to develop my musical voice, and balance that with the need to not repeat the footsteps of others previously. In other words creating original art. My own personal blend is one part rock, fusion, metal, pop and plain experimental mixed with electronica elements. The second challenge is to find time after hours to write new music, both worship, and instrumental.

Devin: How do you deal in achieving this?

Fletch: Time management, plain and simple, just as I’m setting aside the time now to respond to these questions. It is a matter of priorities, and what I place value in. It is not uncommon for me to work 80-100 a hours a week. The motto Mouse (my wife) & I have is work hard, and play hard!

Devin: Does your work and your faith ever conflict with each other? If so, how?

Fletch: Yes, at times. Many of my clients do not hold the same values I do. I value the relationships I have with others, and just as God does with us, I allow a person their free will. I accept others who choose lifestyle choices that conflict with mine, but I do not secede my beliefs in favor of allowing another to feel comfortable with me. I enjoy peace, but not peace at all costs. I don’t wish to compartmentalize my faith, but rather than ‘pushing’ something on another I choose to respond, when asked for opinion or advice to situations another is going through based on how I’ve approached that situation in my own life. I actually do have youth pastor qualifications, and this pastoral counsel aspect definitely comes out in relationships with my clients. Instead of pushing Jesus Christ as the penultimate answer to every crossroads or point of confusion a student goes through though, I try and respond in a way that honors the student where they are at, yet uses a Biblical model of choice…if that makes sense.

Devin: How do you feel you have grown? Are you happy with the person you are? 

Fletch: I am happy now. Like many artists, you wrestle back and forth with properly defining personal musical integrity. I am in a place where I’m very satisfied with my development musically, yet realizing I’m only 50% the way there, even now after 23 years of playing full time.

Devin: Does your hectic schedule ever conflict with your personal life?

Fletch: It could if I allowed it. Mouse, luckily is also a professional musician and works in the studio alongside me. For a career musician, I could not conceive being with another who is not highly musical. It would be a conflict of interests that would eventually erupt like the San Andreas fault. Having said that I prioritize time with Mouse every week. We are having date night after I conclude this interview for example. Mouse is the yin to my yang, and is a giant stabilizer in my life. I bounce so much off her, and we are accountable to one another massively, which allows me to keep perspective of what’s important, which is our relationship.

Devin: How did you find God and how has religion changed your life?

Fletch: One of my friends Roy who studied at the Australian Institute of music with me was a Christian, and my senior guitar lecturer Deiter Kleeman (very well regarded Australian guitarist) both assisted in answering my questions, and walking me away from personal destruction through substances. I became involved and then heavily involved in the Occult prior to becoming a Christian, and regularly attended a coven, and practiced seances, astral raveling etc, so my ‘spiritual man’ was already awoken. I just didn’t find any appeal in the dusty, musty, teachings of Christianity, nor the practices of worshipping during the whole ‘nail a jew to a stick’ day. I was very anti-Christian. In His loving kindness God reached out to me, and being at a point of exhausting my own efforts, I responded to His call. It amazes me to see how many guitar mentors He sent my way to reach me…. My main guitar teacher before I ever left for college was also a devout Christian… It has changed my life where I am aware of God every minute of every day, and I see his incredible creativity in everything around me, whether that is nature, color, music, design, I see God’s handiwork in everything I do.

Devin: What is the best piece of advise you could give to someone who wants to be successful in the music industry?

Fletch: Success rarely comes by accident, but by having a clearly defined set of goals, successful planning and proper execution. Be like a sponge, soak up every experience and take the lessons both seen and unseen from it. Look for opportunities, but always walk with integrity. Develop a healthy mindset of ‘I can‘, rather than justifications of why you cannot. Develop strong problem solving abilities, and study psychology of human behavior and up-skill yourself with your interpersonal skills. It is critical to learn the art of sales for it’s problem solving, negotiation, and interpersonal relations. Read, read, read, then apply apply apply.

Devin: Thanks for your time & valuable insight

Fletch: Thanks for the interview Dev. Apply some of these principles and you will reach your definition of success!



Fulltone MDV-2 Vibe/Chorus Pedal

1 10 2011

By Fletch Whipp

I have been a longtime fan of the vibe effect available for guitarists. I have tried various offerings from Retro-Sonic (their’Chorus’ is a huge personal favorite) The Option 5 Destination rotation, Eventide’s Modfactor, TC Electronics ‘Nova Mod’ and several others, to name but a handful of the vibes on the market. The Fulltone MDV-2 ($269 MAP) deserves a special mention, and is one of just 5 pedals on my ‘small’ Pedaltrain pro pedal board.

Fulltone MDV-2 Pedal

Fulltone state, The lush, organic sounds of a perfect vintage Univibe clone are now available in a space no bigger than a standard wah wah pedal. But that’s not nearly all that the Mini Deja’Vibe 2 offers.

The sound is gorgeous on this model, it has almost a tube warmth to it, and far from sterile like some well-regarded brands I could mention. The modern and vintage options on the side switch really do lend the pedal towards being two unique pedals in one. The chorus feature should not be overlooked, and as typically found, the relationship between chorus and vibe are close enough to permit many manufacturers to offer a chorus option at the same time as a vibe. The chorus is rich and swirling, and avoids some of the mud that unfortunately does lend itself to my Retro-Sonic chorus. Actually, a quick clarification, I now own one of the older retro-Sonic choruses that has the 12v power instead of the normal 9v model now available, and the tone is slightly different, in a positive way.

The foot pedal component allows for adjustment on the MDV-2 in terms of speed of both the chorus and the vibe. It ramps up fairly quickly, so your foot had best be able to be subtle with the adjustments, especially on the chorus setting. The physical movement of the foot pedal can be adjusted as well, and this is very beneficial, you will want the movement stiff, as slightly pressing on the treadle will turn the unit to on, and the effect will start. The more firm the pedal, in the heel-down position, the greater the chance it will enjoy staying in place and not activating at an undesired moment. Though the pedal is shown in photographs to have an Olympic white appearance, it is more of a retro white/yellow in actuality. The gas pedal design rubber mat will keep your foot quite attached to the unit.

It is extremely well-built, and I have no doubt it will still be in regular usage in 20 years time. Overall sound, reliability, and cosmetic appeal has allowed this pedal to stay in active duty on my very particular pedalboard. Solid A+ here from Mike Fulltone.